Gamut! That’s Not My Color: Mac Monitor Calibration Made Easy

Gamut! That’s Not My Color: Mac Monitor Calibration Made Easy

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Gamut! That’s Not My Color: Mac Monitor Calibration Made Easy
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I can’t stress enough how important it is to calibrate your monitor properly. If a picture is worth a thousand words, now you know what those words are telling you. Watch how to calibrate a monitor using i1Profiler software along with the i1Pro2 spectrophotometer on your Mac OSX.

Select the proper white point (color temperature) of your display. Adjust settings for proper luminance (brightness) that will match your prints or press sheets to your screen display. Mount the i1Pro2 to the monitor and run the color control patches. The i1Profiler software will read the known color values and create an accurate ICC profile of your monitor/display and store the new calibrated profile in your system.

Note: Once your monitor is properly calibrated, use the FREE Photoshop Hi-Def Color Action script and watch your images jump off the screen and on paper!

Take the first step in matching your screen to print on your Mac OSX.

Do you have challenges matching your prints to your display? Please leave a comment below…

Transcript of Video

This is Rick Rys from HiDefColor.com.

Today we’re going to go through the process of calibrating your monitor using the i1Profiler software suite and the i1Pro2 spectrophotometer from XRite. Once you’re inside i1Profiler, we’re going to click the Display Profiling box, and we’re going to take it into the Settings mode. In here, we’re going to select our display, which is our color LCD, and pick our white point of our monitor.

[0:30] We have multiple options here. I suggest that you go with the D65, which is 6,500 Kelvin temperature. Our luminance, we want to set this to 100 candelas per square meter. This will simulate more of the process or the environment looking at your printed material. Most monitors are too bright, causing your prints to come out too dark when your monitor calibration is incorrect .

[0:56] From here, we’re going to leave the ambient lights mark control sensor off. We’re going to click the Next button.

[1:06] From here, we’re going to calibrate the i1Pro2 spectrophotometer. I’ve placed the spectrophotometer on the white point balance point, the calibration target, and I’ll simply hit the Calibrate button.

[1:21] From here, the spectrophotometer will be referencing a known white point that is neutral. That will balance out the sensors inside the spectrophotometer.

[1:34] From here, we’re ready to start the process. At this point, we’re going to leave our Automatic Display control checked. The Adjust Brightness/Contrast and RGB Gains…we don’t want to mess with this button right here.

[1:49] Here’s our different color patches that we’re going to be displaying on the screen, which will be read by the spectrophotometer. We’re going to start the measurement process. At this point, I’m going to hang the spectrophotometer onto the monitor to begin the calibration process. The device is now connected to the display. I’ll hit the Next button.

[2:16] At this point, the software is going to run through approximately 100 different control patches, which are going to display a known LAB value, RBG value to the screen that the spectrophotometer is going to read.

[2:32] Through the calibration process, through the process of creating the profile, it will read the displayed values and what they should actually be displayed on the screen. It’s a relative database comparing the two. That’s what creates the calibration process for your monitor.

[2:47] We’re going to speed up the process to go through these colors. We’ll be back in just a minute.

[2:53] OK. We are done with reading our color patches. By the way, that process takes upwards of six to seven minutes. Obviously, we edited it down so we don’t have to bore you to death with that process.

[3:22] Up on the right hand side of the screen here, these are the patches that we read. You can notice that they’re cut with a diagonal line. The value on top is what the actual color should render as. The color on the bottom is what the spectrophotometer actually read our uncalibrated monitor actually reading.

[3:45] That being said, what we’re going to do now is create a relational database between the known color values and what was displayed, and then sync those up together. We’re going to do that by clicking the Next button.

[4:00] At this point, we’re going to name our ICC profile. This is going to be the MacBook Pro and today’s date. That way, I know just by looking at that that that’s for my MacBook Pro. By having the date in there, I can choose the most recent profile.

[4:22] From here, I can set a reminder that reminds me every four weeks to actually create the new profile — a reminder for me to go back and double check my calibration. From there, I click Create and Save Profile. My ICC profile has now been generated.

[4:40] You’ll notice the change with the screen. Look at the gradient here, my gray scale, my gray ramp. From before, and after. Now I’m balanced all the way through my tonal range with the proper gray.

[4:56] That is it. I can’t stress enough how important monitor calibration is. I have a saying that if a picture is worth a thousand words, this will tell you what those thousand words are telling you.

[5:08] Until next time, thanks again and have a great day.

X-Rite i1PRo2 and i1Profiler software. Learn more here

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